Bare Bones Rock
The idea was to use a computer generated voice in a way that a computer generated voice might work. I thought of Astrid Gilberto, and her beautiful flat voice on the Stan Getz recordings like "Girl From Ipanema." Nellie uses no vibrato or vocal effects to speak of, though she does later on.
There was a real Nellie, who collaborated with me on these early works, and to this day wishes to be anonymous. I feel no shame in immortalizing her former alter ego as a digital creature.
The original masters for these first tracks sounded okay at home, but when I brought them to a studio to be heard by my manager and his partner, lots of things didn't sound right, and some instruments (including Nellie's vocals) weren't even audible on their system.
It was then that I discovered that my VocalWriter application produced output in "Split Stereo" where the R and L tracks were phased oppositely. The result was, when played on a normal joint stereo system, anything that should have been in the middle was canceled out. Back to the computer, and I had to take each R track on each of my source files and amplify it by -100 percent. That fixed that.
Contact!Reed Waller © 2024 Reed Waller - Omaha the Cat Dancer
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